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Blackmagic Design URSA Broadcast G2 with the Fujinon LA16x8BRM-XB1A Lens

Blackmagic Design URSA Broadcast G2 with the Fujinon LA16x8BRM-XB1A Lens

SKU: BMD-CINEURSAMWC6KG2-LA16x8BRM-XB1A-kit Categories: , , ,

$8,044.00

Description

Blackmagic Design URSA Broadcast G2 with the Fujinon LA16x8BRM-XB1A Lens

Blackmagic Design URSA Broadcast G2

The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. TheĀ 3Ā cameras in 1Ā design allows it to work as aĀ 4K production camera, aĀ 4K studio camera or aĀ 6K digital film camera! YouĀ can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. YouĀ can even change the lens mount! NoĀ other broadcast camera is soĀ flexible!Ā 

Three Cameras in One!Ā 

BroadcastĀ Production Camera:Ā 

The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. ItĀ also features aĀ low light sensor so you get amazing images using natural light. That’s the perfect combination for broadcast news andĀ programming.Ā 

Live Studio Camera:Ā 

URSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripodĀ handles.Ā 

Digital Cinema Camera:Ā 

URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! UseĀ aĀ PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get aĀ true “Hollywood” quality digital filmĀ camera.Ā 

Get Digital FilmĀ Quality forĀ BroadcastĀ 

The large 6K sensor combined with Blackmagic generation 5Ā color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast! TheĀ 6K sensor features aĀ resolution of 6144 xĀ 3456 so it’s flexible enough for broadcast and digital film work. When using B4 lenses, you get aĀ 4K window of the sensor for UltraĀ HD broadcast use. Then if you change to aĀ PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film! With 13 stops of dynamic range, you get darker blacks and brighter whites, so it’s perfect for color correction. Using digital film in broadcast is aĀ revolution in imageĀ quality!Ā 

ExceptionalĀ Low LightĀ PerformanceĀ 

The new URSA Broadcast features incredible low light performance so you can shoot using ambient light or even under moonlight! InĀ advanced cameras, ISO is aĀ measurement of the image sensorā€™s sensitivity to light. TheĀ Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it’s optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. TheĀ primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. TheĀ gain can be set via aĀ camera switch, the LCD menu or remotely using the SDI remote camera controlĀ protocol.Ā 

Compatible withĀ B4 BroadcastĀ LensesĀ 

The URSA Broadcast G2 features aĀ B4 broadcast lens mount that includes optics specifically designed to match the cameraā€™s sensor. TheĀ B4 lens mount lets you use modern UltraĀ HD lenses or lower cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at low cost! B4Ā lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don’t need to constantly chase focus as you shoot. That lets you work much faster! YouĀ also get full electronic lens control to adjust focus, iris and zoom using the cameraā€™s controls, or remotely! Plus if you want to use alternative lenses, you can change the mount to PL, EF andĀ more!Ā 

Built In Optical NDĀ FiltersĀ 

URSA Broadcast G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. TheĀ Ā¼, 1/16th and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angle, in aĀ wider range of situations. TheĀ IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as aĀ fraction, number, or stopĀ reduction!Ā 

Use Common Media and FileĀ Formats!Ā 

URSA Broadcast is designed to work with standard file formats that are used by all broadcast systems and editing software. YouĀ can record in ProRes 422 HQ and ProRes 422 into QuickTime files. TheĀ new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus you can record to Blackmagic RAW files, aĀ revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types ofĀ workflows.Ā 

Dual Media SlotsĀ for Nonā€‘Stop RecordingĀ 

With dual CFast 2.0 recorders and dual SD/UHS-II card recorders, you can choose the media that’s best for you! Both types of media are standard, inexpensive and readily available at computer and camera stores. Plus with dual media slots, URSA Broadcast gives you non stop recording! When aĀ card is full, recording automatically continues onto the next card so you can swap aĀ full card while recording continues. YouĀ get enough speed to record high quality ProRes and H.265 video file formats, even when working in UltraĀ HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. YouĀ can even record 12-bit Blackmagic RAW cinemaĀ files!Ā 

USB-C for RecordingĀ Direct to External Media DisksĀ 

The Blackmagic URSA Broadcast G2 features aĀ high speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to aĀ wide range of accessories. IfĀ you plug in aĀ large and low cost external USB flash disk, you can record ProRes, H.265 or even high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to aĀ computer to work, and you don’t need to waste time with file copying. Plus the USB port will power the disk thatā€™s plugged in! YouĀ can even plug in optional focus and zoom demands to allow full lensĀ control.Ā 

Strong and Lightweight Magnesium DesignĀ 

URSA Broadcast G2 features aĀ super strong, lightweight magnesium alloy body thatā€™s perfectly balanced and designed to be comfortable to use all day! ItĀ features familiar externally mounted switches and controls that give you direct access to the most important camera settings. TheĀ controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. YouĀ also get aĀ foldout touchscreen for monitoring, viewing camera status and changing settings using on screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB-C and an industry standard 4Ā pin XLR broadcast 12V DCĀ connection!Ā 

Built in LCD with TouchĀ ControlsĀ 

With aĀ built in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on screen status and touch screen controls. TheĀ built in touchscreen also includes aĀ heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. Plus behind the LCD there are extra buttons, as well as knobs for audio levels. There’s even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the on screenĀ menus.Ā 

External Status DisplayĀ 

The status display is aĀ high visibility LCD screen thatā€™s designed to be easily seen, even in bright light! TheĀ status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, gain and iris. ItĀ also features aĀ battery indicator, card recording status and audio meters for monitoring levels. TheĀ screenā€™s backlight can be turned on when you are shooting in dimly lit locations, and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under anyĀ condition!Ā 

Program Video MonitoringĀ 

If you’re doing live production, sometimes you need to monitor program video back from the switcher. Simply press the cameraā€™s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. AĀ built in speaker also lets you monitor the switcher audio as well. Program return is aĀ fantastic feature as sometimes on large live shows, camera operators can be left waiting aĀ long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is aĀ large distance away from the switcher, they can still keep up with what is happening and remainĀ alert.Ā 

Load Custom 3DĀ LUTs to Recreate FilmĀ Looks!Ā 

Digital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production. However, when these files are viewed on aĀ monitor they can look flat andĀ washed out. 3DĀ LUTs solve this problem as they allow you to apply aĀ “look” to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. TheĀ URSA Broadcast G2 works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 andĀ more.Ā 

Standard Television Industry ConnectionsĀ 

Blackmagic URSA Broadcast G2 features the latest technology and connections such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. TheĀ 12G-SDI connections are multi rate and switch between all HD and UltraĀ HD formats up to 2160p60. Other connections include aĀ headphone connection, USB-C, balanced XLR audio with phantom power, and timecode/reference input. There’s also aĀ front mounted 12 pin Hirose connector for broadcast lens control which can also power the lens. Plus for connecting aĀ viewfinder or on set monitor there’s even an HD-SDI monitoring output and aĀ broadcast style 4Ā pin XLR 12V DC powerĀ output!Ā 

Supports AllĀ Broadcast FrameĀ RatesĀ 

Whether youā€™re shooting aĀ sporting event or aĀ breaking news story, Blackmagic URSA Broadcast G2 can shoot super smooth, crystal clear slow motion video. ToĀ shoot slow motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into aĀ lower frame rate file, for smooth slow motion shooting. YouĀ can set up your preferred high speed frame rate using the cameraā€™s on screen menus, then switch between standard sync speed and off speed frame rates using the HFR button on the side of the camera. That means you can have aĀ higher frame rate setup and ready to go, so its instantly available when the action getsĀ exciting!Ā 

Professional Audio Connections and BuiltĀ In MicrophonesĀ 

URSA Broadcast G2 has aĀ high quality microphone and professional audio recorder built in so you donā€™t have to carry any extra sound equipment! That means you can use the built in stereo microphone or you can connect external microphones. TheĀ XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip on mics. YouĀ can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have aĀ single mono connection, if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulderĀ mounted.Ā 

Get Studio CameraĀ Control viaĀ SDIĀ 

All Blackmagic Design ATEM switchers can control cameras via aĀ protocol embedded into the URSA Broadcast G2’s SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcherā€™s SDI program output to the camera via the SDI program input. TheĀ switcher can perform color correction, tally and lens control and these are sent to all cameras. AllĀ you need to do is select the correct camera number and it all works. This means someone can manage the image color and gain so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing theĀ shots.Ā 

Work in BothĀ HD or UltraĀ HDĀ 

The Blackmagic URSA BroadcastĀ G2 is not just a great UltraĀ HD camera, but itā€™s also an amazing HDĀ camera too! The high resolution sensor and generationĀ 5 color science creates amazing images with high dynamic range and wide color fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080HD video standards. ThisĀ helps you get stories on air fast, inĀ HD or UltraĀ HD video standards, anywhere in the world! Plus when working in HD, the high resolution sensor allows sub pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA BroadcastĀ G2 is a future proof camera that’s perfect for both HD and UltraĀ HDĀ production!Ā 

Change to PL, EFĀ and FĀ LensĀ Mounts!Ā 

URSA Broadcast G2 features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL or even FĀ mount. URSA Broadcast G2 comes with aĀ B4 mount already installed, plus aĀ spare EF mount is included. That means if youā€™re starting out you can change the mount and use low cost photographic lenses. Photographic lenses are incredible quality because they’re designed for high resolution photography. YouĀ can also purchase optional PL and FĀ mounts separately. IfĀ you’re shooting for digital film, the PL mount is best as it’s the most common lens mount for cinema lenses. With URSA Broadcast G2, you get aĀ single camera that works with virtually all modernĀ lenses!Ā 

Latest Generation 5Ā ColorĀ Science

Ā Featuring the same generation 5Ā color science as the high end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. YouĀ get aĀ new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. TheĀ color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have aĀ natural, film like response to color adjustments in post with DaVinci ResolveĀ Studio.Ā 

IncredibleĀ Blackmagic RAWĀ QualityĀ 

Blackmagic RAW is aĀ revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Common video files have aĀ lot of video processing, so you can lose some of the original sensor detail. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastestĀ performance!Ā 

Powered by BlackmagicĀ OSĀ 

With the advanced BlackmagicĀ OS, you get an intuitive and user friendly camera operating system based on the latest technology. BlackmagicĀ OS is aĀ true modern operating system where all camera features run independently for smoother control, plus URSA Broadcast G2 powers on virtually instantly. ItĀ features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. TheĀ interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. YouĀ also get full control over advanced camera features such as on screen focus and exposure tools, 3DĀ LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings andĀ more!Ā 

Built in Timecode GeneratorĀ 

All models of Blackmagic URSA Broadcast G2 have aĀ built in time of day timecode generator, so you can sync all the cameras and then do multi-cam editing later because all the recordings will have the same timecode. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. NowĀ each camera can start and stop recording and the shots from all cameras will have matched timecode. Imagine shooting aĀ music festival with multiple cameras! Then the DaVinci Resolve sync bin can be used to automatically sync the recordings and display them in aĀ multiview for easy editing.Ā 

Focus and ZoomĀ DemandsĀ 

The optional zoom and focus demands allow you to use photography lenses for live production! TheĀ focus and zoom demands have USB-C connections so they control the lens via the cameraā€™s electronic lens control. Each zoom and focus demand has 2Ā USB-C ports, so you can daisy chain them then connect to the camera with aĀ single USB connection. TheĀ design has an incredibly precise feel so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. TheĀ buttons can be customized so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demands onto tripodĀ handles.Ā 

Add Viewfinders, SMPTE Fiber and LensĀ MountsĀ 

There’s aĀ wide range of accessories that are specifically designed to work perfectly with URSA Broadcast G2. However, aĀ shoulder mount kit, V-Lock battery plate and top handle are included so you don’t need to purchase anything extra! Plus you get aĀ spare EF lens mount if you don’t own aĀ B4 lens and would like to start out using aĀ photography lens. YouĀ can add the optional Blackmagic URSA Viewfinder, or for live production you can add aĀ Blackmagic URSA Studio Viewfinder! There’s also an optional fiber converter that can power the camera from 2Ā km away via the single SMPTE fiber! ForĀ long duration recording, URSA Mini Recorder gives you the option to record to externalĀ SSDs!Ā 

Record to SSDs and U.2Ā MediaĀ 

The optional Blackmagic URSA Mini Recorder lets you record files onto large 2.5 inch SSDs, as well as the latest U.2 NVMe Enterprise SSDs! SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s! This blazing fast performance allows you longer recording times for full resolution 4K and 6K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. TheĀ unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Broadcast G2 between the camera and the battery. Itā€™s controlled via the USB-C so you donā€™t have to worry about manually starting or stopping the SSD recorder.Ā 

Localized in 13 PopularĀ LanguagesĀ 

All Blackmagic Design cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Polish, Ukrainian, Turkish, Chinese, Japanese or Korean. Itā€™s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time youĀ like!Ā 

Wireless Bluetooth Camera RemoteĀ ControlĀ 

If you’re positioning the camera on the end of aĀ boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. YouĀ can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. Thereā€™s even aĀ free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. TheĀ possibilities areĀ endless!Ā 

Compatible with Industry Standard BatteriesĀ 

All URSA cameras support aĀ wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. AĀ V-Lock battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. AllĀ Blackmagic battery plates are designed to mount directly onto the camera. URSA Broadcast G2 includes aĀ 4-pin XLR power connector that supports 12V to 18V for connecting external power supplies and battery packs. TheĀ standard power connector also means you can use the camera with your existing power supplies and batteries. ForĀ live production, the optional fiber converter can power the camera from up to 2Ā km away via aĀ single SMPTE fiberĀ cable!Ā 

Includes DaVinci ResolveĀ Studio. Get Professional Editing, Color Correction, Audio Post andĀ VFX!Ā 

URSA Broadcast G2 includes aĀ full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. InĀ addition to the new cut page, you also get DaVinciā€™s legendary professional editing, advanced color correction, audio post and visual effects tools, all in aĀ single software application! NowĀ you can use the the same high end software that professional editors and coloristsĀ use!


Fujinon 2/3” Mount LA16x8BRM-XB1A Lens

TheĀ LA16X8BRM-XB1A 2/3″ 4K LensĀ fromĀ FujinonĀ is an 8-128mm zoom lens designed for the Blackmagic URSA Broadcast camera. This dedicated lens features electronic back focus adjustment and a macro function at its front.

The included focus/zoom servo unit suits this 4K lens for ENG or studio use. Additional features include an f/1.9 to 2.8 maximum aperture range and an M82 x 0.75 filter thread.

Additional information

Weight10 kg

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